Birjadish (B.) Prasad was a former Head of the Department of English at Agra College, Agra, a respected academic and the author of several highly influential textbooks. His well-known works include "A Background to the Study of English Literature" and "An Introduction to English Criticism," both of which, along with the book in question, have remained essential reading for students of English literature for decades.
| Section | Key Topics | | :--- | :--- | | | • Historical survey of literary criticism | | | • The Greek Masters (Plato, Aristotle) and the development of key concepts like mimesis (imitation) and catharsis (emotional purging) | | | • The Roman Classicists (Horace, Longinus), including Longinus's On the Sublime | | | • The emergence of vernacular literature | | Part II: English Criticism | • The battle of tastes in the Renaissance | | | • The triumph of Neoclassicism (e.g., Dryden, Pope, Samuel Johnson) | | | • The Romantic Revolt (Wordsworth, Coleridge) and concepts like the definition of poetry and the distinction between fancy and imagination | | | • The Victorian Compromise (Matthew Arnold) and his "three estimates of poetry" | | | • The Age of Interrogation / Modern Criticism (Eliot, Freud, Georg Lukács) | | Practical Criticism | • New Criticism (Allen Tate, Cleanth Brooks, W.K. Wimsatt, Monroe Beardsley) | | | • Practical criticism exercises | | | • A glossary of critical terms (e.g., allegory, diction, irony, metaphor, motif, point of view) | an introduction to literary criticism by b prasad cracked
: The 19th-century focus on "disinterested" learning and the art of interpretation. Literary Genres and Forms Birjadish (B
If you have managed to get a copy, here is how to tackle it: Wimsatt, Monroe Beardsley) | | | • Practical
Who holds the economic power in the text, and how are the working class portrayed?
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