Fylm Going Places 1974 Mtrjm Llrbyt Kaml Fasl Alany -

The film follows two amoral, bohemian drifters, Jean-Claude (Gérard Depardieu) and Pierrot (Patrick Dewaere). Moving aimlessly across the French countryside, the duo spends their days stealing cars, committing petty crimes, and harassing local citizens. They live completely outside the moral guidelines of the modern middle class.

The 1974 French film (originally titled Les Valseuses ) is a highly famous and controversial black comedy directed by Bertrand Blier . For Arabic-speaking viewers looking for this classic with full Arabic subtitles (مترجم للعربية كامل), understanding the film's background, story, and impact is essential. Movie Overview Original Title Les Valseuses English Title Going Places Release Year Director Bertrand Blier Main Cast Gérard Depardieu, Patrick Dewaere, Miou-Miou Genre Crime, Black Comedy, Drama Run Time 113–118 minutes The Core Story fylm going places 1974 mtrjm llrbyt kaml fasl alany

Gérard Jugnot kept his secret when an audience member at the Glasgow Film Theatre cheekily inquired whether he was a boxers or bri... Gérard Jugnot Jacques Chailleux The film follows two amoral, bohemian drifters, Jean-Claude

If you confirm the exact original title, language, or can upload a clip or transcript, I’ll produce a targeted scene-by-scene subtitle draft, a timecoded shot list for a chosen scene, or a full translation of a provided excerpt. Which would you like next? The 1974 French film (originally titled Les Valseuses

The story follows two aimless, sociopathic thugs, , who drift through the French countryside. Their journey is a series of episodic crimes, including car thefts, robberies, and harassment of women, all performed with a carefree and often violent disregard for societal norms.

Jacques Chailleux Jacques Chailleux is known for Going Places (1974). Jacques Chailleux Brigitte Fossey

At its core, Going Places is a road movie, following two amoral young drifters as they roam the French countryside in a stolen car. Jean-Claude () and Pierrot ( Patrick Dewaere ) are not anti-heroes in the traditional sense; they are forces of id, driven purely by impulse, pleasure, and petty crime.