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Boy (2010) subverts Western family norms by centering Maori culture and exploring the vacuum left by absent fathers and the "found" family that fills it. The content you are referencing is an produced

The horror genre, in fact, has weaponized the "intruder" step-sibling. In The Lodge (2019), two children are forced to spend a holiday with their father’s new, younger girlfriend (a survivor of a religious cult). The blend is a disaster. The step-mother figure is fragile; the children are malicious. The film asks a brutal question: What if the kids don't come around? What if the nuclear unit is not salvageable through therapy? Modern cinema is brave enough to answer: sometimes, the blend fails catastrophically. For fans of narrative-driven scenes that explore the