Lost in La Mancha (2002) details director Terry Gilliam’s doomed first attempt to film The Man Who Killed Don Quixote . 2. Investigative Exposés and Institutional Reckonings

The shift began in earnest with films like Overnight (2003), which followed the meteoric rise and catastrophic implosion of The Boondock Saints director Troy Duffy, or Lost in La Mancha (2002), which captured Terry Gilliam’s Quixotic failure. These weren't ads for movies; they were warnings about ego.

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